![]() The easiest way to costume a ’70s-era show? Vintage, of course. I wanted to have an opportunity for the camera to capture fabric moving closer to the face, which I think really paid off and created elegance and grace and movement.” (San Juan’s sketches from the scene are pictured above.) “I knew we wanted to see fabric consume the stage. “I really did try to emulate some of Halston’s silhouettes that he was showing at Versailles, but I did take a creative license on color, some fabrications, and I also added capes to a bunch of dresses,” she says. All one needed was a dab of Halston fragrance on her neck, an Ultrasuede shirtdress, and an in at Studio 54.įor the fashion-history-making Battle of Versailles, San Juan explains how she infused her designs with a cinematic touch. ![]() Through a series of licensing deals and his career-long devotion to wearability, the high-flying Halston lifestyle became something many American women could experience the look was as discerning as it was welcoming. The adornment was little, but there was character in Halston’s swirling batik treatments or the aquatic glisten of an uncolored sequin paillette. ![]() His disco-goddess gowns rarely featured anything they didn’t need a no-frills aesthetic allowed shapes (of the clothes but also the women beneath) to command attention. Like his beloved orchids, Halston’s work was sumptuously minimal. Throughout the show, we see his atelier, workspace, and townhouse teeming with the tropical flower-a sign of the man’s staunch dedication to living in luxury. In the scene, Halston is being chastised for his careless spending, and someone has suggested he give up his orchid habit. “They’re part of my design process!” Ewan McGregor retorts as Halston in Netflix’s latest miniseries on the rise–and fall-of the American fashion designer.
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